Related Papers
The English Church" revisited : issues of expansion and identity in a settler church : a thesis presented in partial fulfilment of the requirements for the degree of Master of Arts in History at Massey University
2008 •
Noel W Derbyshire
Continental European Assisted Immigrants in 1870s New Zealand
Mark E Dunick
Approximately 7000 Scandinavians, Germans, Poles and other continental European settlers arrived in New Zealand from 1871 to 1876 as part of the assisted immigration scheme promoted by politician Julius Vogel. The continental Europeans included many family groups and became a small but significant minority among the Pākehā population of nineteenth century New Zealand. Many of these European settlers clustered in rural communities around the country, including Norwegian and Danish communities in Hawkes Bay and the Wairarapa, along with German and Polish communities in Canterbury, Otago and Taranaki. Some of these communities are well known and have been studied in isolation, and others have been neglected by historians. This project includes a quantitative study of the continental European migrations of the 1870s and examines key settler communities that continental Europeans, particularly Scandinavians Germans and Poles, formed in nineteenth century New Zealand. It also details the ...
The golden age of Otago University rugby (1905-1911)
2006 •
Rex Thomson
Old identities and new iniquities : the Taieri Plain in Otago Province, 1770-1870
1973 •
George Davis
The individual child : study of the development of social services in education in relation to the first Labour government's educational policy
1987 •
Rosemary Goodyear
‘Looking for Arcadia: European environmental perception in 1840-1860’, ENNZ: Environment and Nature in New Zealand 9, no. 1 (2014), pp.40-78.
James Beattie
This essay explores how New Zealand Company (NZC) settlers conceptualised and perceived the environment of Otago, New Zealand, prior to the Gold Rush of 1861. Through consideration of how colonists related the new settlement and new land to the concept of Arcadia, the essay examines the inter-relationship between material wants and aesthetic ideas in colonisation. It also demonstrates the importance of considering together both urban and rural areas as well as health and environmental considerations in histories of settlement and landscape change.
Alfred Henry O'Keeffe in Retrospect: Paint and Personality
2008 •
Ralph Body
This dissertation offers a detailed study of the life and art of the Dunedin artist and teacher Alfred Henry O’Keeffe (1858-1941). It is concerned with establishing an art historical context for his work and exploring its relationship to that of other artists, art institutions and art criticism during his six-decade-long career. It also includes an overview of O’Keeffe’s biography and considers his contribution to art education in New Zealand, through his teaching both at the Dunedin School of Art and Design and privately in his studio. Particular attention is given to four areas of subject matter: portraiture and genre subjects, especially those representing the elderly; seascapes; and still lifes, particularly flower paintings. Despite the length of O’Keeffe’s career, much of the existing scholarship has tended to emphasise his Victorian paintings at the expense of his later works. Greatest attention is usually given to his association with immigrant artists during the 1890s, such as Petrus van der Velden and Girolamo Nerli, together with his period of study at the Académie Julian in Paris during that same decade. The present dissertation considers the evidence relating to this period and assesses the validity of claims previously made. In doing so, it challenges the widespread assumption that O’Keeffe’s work failed to develop in any substantial way beyond the 1890s. Instead, it considers the full breadth of O’Keeffe’s lengthy career and reassesses the importance of his late works. It argues that in terms of both quality and quantity O’Keeffe’s paintings from the 1920s and 1930s represent his greatest achievement. His relationship to more avant-garde developments in New Zealand art during these decades are also examined, showing that while he was not hostile towards modernism there were certain stylistic features he was reluctant to adopt himself. His own style is best understood as part of a broad trend where the innovations of Impressionism were combined with qualities drawn from the European old masters. However, despite the strong parallels that exist with the works of other artists, O’Keeffe’s paintings nonetheless retain distinctive qualities, both in mood and technique. They represent a largely overlooked but by no means insignificant facet of New Zealand art.
Loosening the Marriage Bond: Divorce in New Zealand, c.1890s - c.1950s
Hayley Brown
Based on a detailed examination of 2,195 divorce case files generated by applications to the Wellington Supreme Court, the study explores the changing frequency and character of the divorcing population in New Zealand between 1898, when the grounds for divorce were extended under the Divorce Act, until c.1959. The end point is set by access limits to divorce case files, the beginning of Marriage Guidance, and the establishment of a 'normal' pattern of divorce following the postwar spike. The study examines how and why New Zealanders divorced in increasing numbers over the period. In particular, it looks at the increase in divorce during and after the two world wars. The rate peaked in the immediate postwar years and remaining at levels about those pre-1914 and pre-1939.The study also looks at how war contributed to an underlying and on going change in attitudes towards marriage and divorce, not solely attributable to the immediate crisis of enlistment. The study explores the...
The impact of the Second World War on women in Belfast and Dublin : an oral history
2006 •
Mary Muldowney
Anzac Day meanings and memories : New Zealand, Australian and Turkish perspectives on a day of commemoration in the twentieth century
2009 •
George Davis
